Thursday, May 14, 2009

Nike "Tennis Ball" HyperMax

via Hypebeast

The latest edition of the Nike HyperMax comes in the classic neon yellow hue generally seen on tennis balls. I'm not sure I could pull these kicks off, but they definitely are visually stunning. No word yet on when they will be available, so stay tuned...


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Friday, May 8, 2009

VIBE Magazine's Top 50 rap blogs

For all of you up on the blogosphere, here are VIBE Magazine's top 50 rap blogs:

1. Nah Right 2. Kanye’s Blog 3. 2dopeboyz 4. Missinfo.tv 5. OnSmash 6. You Heard That New 7. Cocaine, Blunts & Hip Hop Tapes 8. Ill Doctrine 9. AllHipHop.com Rumors 10. RapRadar 11. Dajaz1.com 12. The Smoking Section 13. Fake Shore Drive 14. Get Right Music 15. World Star Flip Flop 16. Mixtape Monday 17. H.E.R 18. The Meaning Of Dope 19. The MegatronDon 20. The T.R.O.Y blog 21. The Rap Up 22. Beats and Rants 23. SOHH Blogs 24. Vladtv.com 25. Elitaste 26. KidCudi.com 27. Don’t Get Gassed 28. Kim Osorio’s Blog 29. Byron Crawford 30. Hip Hop Is Read 31. Fat Lace 32. Notes From a Different Kitchen 33. Nola Bounce 34. Rosenberg Radio 35. Xclusives Zone 36. DallasPenn.com 37. So Many Shrimp 38. Zilla Says 39. Unkut.com 40. Bust The Facts 41. Uggh…Nice Watch 42. Maurice Garland 43. Slang Rap Democracy 44. Mista Jam’s Blogs 45. Metal Lungies 46. ThePressPlayShow 47. Prancehall.com 48. Straight Bangin’ 49. Passion of the Weiss 50. Twankle & Glisten


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Wednesday, May 6, 2009

"My state of mind all purple..."

The poem below was written by my longtime friend and aspiring writer, Emil DeAndreis (peep his A-Rod video below). This poem, entitled "Ode to Purple", was inspired by the picture included below. Enjoy.

Ode to Purple
by Emil DeAndreis

Amongst a cratered mass of dream,
Fixated on its Mother's scent
Are cocooned princes, royalty--
The speckles of His laziness.

The color purple--misty haze
Of mischief and promiscuous,
Voluptuous betrayal of
Morals and codes that don't exist

A million branches reach to find
That heaven's something in their minds,
A truth that withers them to bone
And makes them want to stand alone.

Life can spoil under black soil,
That also births the richest oil--
The color of an endless maze
Of glitter and unanswered questions.

Is the water warm, I ask
Across an ice rinc blue with sleep
Where one snap of a finger can
Amount to tidal waves elsewhere.

Who will swim in the warm lake
Or climb the limbs of this bare tree,
Who will dream and fuck and cry,
And live a life against His will?

A cratered glow perched on our land,
That you can pluck with your own hand
Means we're at war with what is dream
And what we fear we've never seen.


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Drake - (Live) in Atlanta

Drizzy Drake Rogers touched down in the ATL a week ago for a live appearance. Here is footage from that concert in which Drake performed the main tracks off his recently released mixtape So Far Gone, along with previous material. SF I got you!

[You are witnessing the future of hip hop.. Don't sleep on Drizzy!]

Drake - Take You Down Freestyle | Mediafire

As a bonus I've included the link (above) to DL Drake's freestyle set to the beat of "Take You Down", originally by Chris Brown. Peep game.


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Takashi Murakami billboard shipped to Japan

Takashi Murakami is a famous contemporary Japanese artist who works in a variety of mediums, including painting and digital media. His work is characterized by his appropriation of "popular themes from mass media and pop culture", which he then renders into "thirty-foot sculptures, 'Superflat' paintings, or marketable commercial goods such as figurines or phone caddies" (Wikipedia).

This billboard was put up on the Melrose strip as an advertisment for Murakami's exhibit at the Los Angeles Museum of Contemporary Art. In December, graffiti artists AUGER and REVOK tagged the billboard (shown above); two days later it was was taken down by the City of Los Angeles. However, Murakami recently saw photos of the billboard online and he enjoyed the piece so much that he arranged for it to be shipped to his studio in Japan.

Gotta say, that's pretty beastie.

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Rick Ross f. Kanye, Weezy, T-Pain - "Maybach Music 2"

"Tha Baauuse" comes hard on this track! Rick Ross is a popular rapper from Miami, Florida who has the build of Notorious B.I.G. and the beard of Baron Davis. Ross claims to have been a certified D-boy (his rap name is taken from "Freeway" Ricky Ross, a notorious cocaine dealer in L.A. in the 1980s) but I'm not sure I believe the hype. Not only did he attend Albany State University, but he was also a corrections officer in Florida in the early 1990s. Not saying that means he didn't slang, but it definitely raises some questions about Ross' credentials. "Maybach Music 2" - a reference to the German luxury car and Rick Ross' record label Maybach Music Group - is a cut off Ross' recently released third album, "Deeper Than Rap" and features the lyrical talents of Kanye, Weezy and T-Pain.

First of all, I love it when rappers at the top of the game collaborate. Whenever I see a song on album that has a bunch of stars on it, my expectations for that song are immediately raised; I expect the beat to be fresh and the flow to be sharp. Part of the reason for my heightened expectations is my assumption that when big name rappers come together, they feel the gravity of the occasion and it adds a little bit of friendly competition to the effort; their pride and ego provide extra motivation to come with the hottest verse. Rappers teaming up and competing with each other on wax is a time honored tradition in rap and has resulted in some truly amazing songs ("2 of Amerikaz Most Wanted", "Ignorant Shit", "I Love the Dough", "Black Republican", etc.).

Unfortunately, that logic does not always hold true. This song is the latest example of a troubling trend I've noticed: whenever Wayne is on a track with other superstars (with the exception of Drake who he collaborates with harmoniously), he doesn't rise to the occasion. In fact, he has a tendency to come with mediocre verses and he is often overshadowed by lesser supporting cast members (i.e. "Swagger Like Us", "Barry Bonds", "Hello Brooklyn", "Black Republican", etc.). This reality, along with others, supports my belief that while Wayne is an incredibly talented rapper and one of the best in the game right now, he is not even in the discussion of the best rappers of all-time; he doesn't even crack the top 10. Top 15, maaaaybe. [what are your thoughts on this subject?]

That digression aside, let us return to this particular song. The flow is pretty nice but not amazing. If I had to rank the verses, I'd say that Kanye has the best verse, followed by Weezy F then Ross. The highlight of this song - and the reason I share it with you - is undoubtedly the chorus, laced by T-Pain, and the beat, produced by the Grammy award winning group of hip hop producers, the J.U.S.T.I.C.E. League (which stands for Just Undeniably Some of the Illest Composers Ever).

Enjoy.


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"SuperJail!" super battle

After watching this clip, a flurry of words come to mind: Bizarre. Dark. Psychadelic. Funny. Off-the-wall. Those are just a few of the adjectives which describe "SuperJail!", an American cartoon created by Christy Karacas and Stephen Warbrick in 2007 (it premiered on Adult Swim in September 2008).

The show takes place in SuperJail, a super-maximum prison located on a volcano within a volcano. The jail exists in its own reality with unique properties of time and space that are controlled by the Warden, who resembles a perverse, sadistic Willy Wonka. According to the accountant in the show, SuperJail houses more than 70,000 inmates.


This show is simply bonkers, as the clip above illustrates. I love how the creators throw the entire kitchen sink into their episodes, coming up with the most creative fatalities and battles. The animation style - with all of its intricacies, creativity, and yet simplicity - is dope by itself. But at the end of the day SuperJail! is all about its graphic violence and gore. Yet for me, the gore - even though it is abundant - isn't excessive because it's presented in such creative ways that I want to see what they are going to come up with next.

Here is a quote from creator Steve Warbrick which sheds light on the show's crazy, over-the-top style: "I always like shows that when you finished watching you forget where you started - you don't even remember. Super Jail! is like that. By the time that you're done you're not quite sure what you've saw but you wanna see it again just to pick up anything you missed."

[I love the Dracula foot soldiers and the part at the end where Jericho (the accountant) snipes the woman running away with her baby. Haha.. simply genius!]

You can watch more episodes of SuperJail! free at Hulu.

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Monday, May 4, 2009

Eminem - "3 A.M." Video

Eminem is back!

This video is for "3 A.M.", Eminem's newest single. It debuted on Cinemax over the weekend (as you can imagine once you see the video, it is a little too extreme for network television) and is the third track on Eminem's upcoming album "Relapse", which is set to release on May 19th. This video, directed by Syndrome, echoes "House on Haunted Hill" with its creepy camera work, quick cuts, extreme gore and its setting in an abandoned mental hopital. It's a pretty creative and disturbing video, but I gotta say, it's not a surprise coming from Eminem who has a track record of making songs in which he plays the role of a psycho and/or killer.

While I enjoyed this video for its visual creativity, that is only of secondary importance to me. Eminem's last couple albums have been lackluster at best and displayed a frustrating lack of effort; it was as if Eminem wanted to find out how far he could dumb down his flow and still sell tons of records (it got pretty ridiculous). Therefore, the bigger question is whether or not Eminem's flow is still sharp - based purely on this track, I'm not sold - and whether or not he cares about making a decent album. This song is a step in the right direction but taken together with his previous single, the jury is still out. The only thing I can say for sure is that I am eagerly anticipating his next album release and desperately hoping the old Em has returned.



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